Photographs

Haiku of the day and some photographs I’ve either taken or found

Level Up: I Got a Motorcycle

justintfirefly 2 Comments

Figured I’d revive the ol’ blog for the first time all year. Better be something good, yeah?

Well, it is.

Let’s talk.

We’ll go back to when I was but a wee lad. Dickerson street in the Model City. My dad had some kind of Suzuki motorcycle — a cruiser. I don’t remember a lot about it other than it was black and had a seat that was peeling apart. It stayed parked outside, uncovered, and he would often take me for rides on it. I was small enough to sit in front of him and lay my head down on the gas tank — it was THAT long ago.

He had a couple of cousins who each had Kawasaki Ninjas. I’d later learn these were crotch rockets and the muse of energy-drink-chugging, tribal-tatted bros who apparently enjoy being uncomfortable while operating a motor vehicle. While I’d later go on to hate these bikes, I thought they were the shit when I was a kid. Dad and I got to ride one of them in a parade in Hawkins County but I don’t remember why. I just remember it was early in the morning and our motorcycle was turquoise.

It wasn’t long after that my dad got rid of his bike and it was never spoken of again. I always thought they were cool but never had much interest in ever having one. When my dad and I had our falling out, my interest in motorcycles lessened even more — if he had one, I sure as hell didn’t want one. Ever.

As I got a little older, my opinion on the motorcycle didn’t change (yet) but my rule of “if dad did it, I’m not doing it” was broken because other things my dad did include:

  • Growing a beard
  • Wearing tanktops in public
  • Sometimes craving pinto-bean-and-mayo sandwiches

Bet you didn’t know that last part about me but it’s true.

Anyway, when I turned 30 it’s like some weird switch flipped in my mind and suddenly things changed. I yearned for a different lifestyle, a new look and, you guessed it, a motorcycle.

But being an adult is hard so saving up for a motorcycle wasn’t easy and I didn’t exactly have all the support in the world at home at the time.

Oh, boo-hoo.

Fast-forward to age 34. Life looks a lot different now, for better or worse. Things I wasn’t allowed to do for a long time — like owning a drumset or getting skull tattoos — are suddenly possible. So long as I had a plan and was responsible about it, anything was possible.

Fortunately for me, I like following through with plans and I’m a pretty responsible guy.

So on May 22, 2019, I registered for the New Rider Course at Smoky Mountain Harley Davidson. The course wasn’t scheduled until a month later but that would give me plenty of time to buy the necessary gear, research motorcycles and go ahead and stress myself out real well beforehand.

I want to take this time to give a big shoutout to the folks at Smoky Mountain Harley Davidson. I’ve been to several Harley shops around the southeast and most of the time I walk in, look around and walk out without anyone saying a word to me. Not so at Smoky Mountain. They proudly tout how they’re the #1 dealership in the world and they back it up 100% of the time. My main contact, Justin, was patient with me the first day I walked in and he talked to me about bikes, life and life on bikes while I tried out various sporters and Dynas. For 45 minutes he hung out with me, never once made me feel pressured to buy anything and never once made me feel like an idiot for being such a n00b.

When I told him I also wanted to look at gear for my class, he personally walked me over to the retail area, introduced me to one of the specialists who then stood by my side while I considered different jackets and tried on a variety of helmets. She hung out with me, assuring proper fit and reminding me of important things to consider when purchasing it. My custom-ordred helmet was delivered two days later and the dealership promptly alerted me that it was ready for pickup.

On June 24 I arrived at Smoky Mountain Harley Davidson where I was introduced to eight other people who had registered for our class as well as our head instructor, Maggie. Our first night was spent going over some basics, getting to know each other, doing some paperwork, getting a tour of the dealership and beginning our reading assignments. Over the next two days we saddled up on some Harley Street 500s to learn the basics of clutching, gear-shifting, braking, turning and all the other stuff that seems damn-near impossible if you have zero experience on a motorcycle.

By the end of the third day most of us had passed the riding test and written test. I say most because while 10 people had signed up, only nine showed, only eight made it through the riding exercises, only seven passed the riding test. It was like a weird Willy Wonka situation only no one got sucked into a chocolate river (that I’m aware of).

The survivors posed in front of the big fireplace at the dealership, exhausted from riding eight hours in the blazing summer sun but full of pride that we were on our way to becoming licensed motorcycle riders.

It took four attempts and an equal number of weeks at the DMV to get my motorcycle endorsement. By the time I got the endorsement, had my ID updated and had the new “Real ID” star put on my license, I had a collection of personal identification that included everything I’ve ever owned to identify myself save for my college photo IDs, though I’m surprised they didn’t require one of those.

Now a licensed rider, I needed to get a ride. Back to Smoky Mountain Harley!

With a little guidance from some friends and my HD bro Justin, I settled on this little beauty:

She’s a 2013 Harley Davidson XL 1200X Forty-Eight and she’s sexy. as. hell.

Possible names include Rhonda, Teeth Grinder and Adrian.

Shoutout to my Viking Queen Cara for the photos and for driving me to the dealership to pick it up … and for riding behind me to make sure I didn’t die on the way home :-)

Expect more posts this year that are mostly related to this little lady as well as a damn-near 100% Instagram takeover.

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[Photo Post] The Lees of Memory at Exit/In

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Recently a friend told me that she hadn’t received any of my blog updates since our email migration at work. That email migration was on August 23 and my last post was …

… also on August 23. So it’s not email’s fault — it’s your humble narrator’s.

In addition to my 40-hour-a-week job, I’m teaching five classes a week at TITLE and I now have seven paying personal training clients that I meet with weekly. I’m working on trying to finish this nutritional specialist program for my PT certification and my current workout program has me scheduled to work out four days a week (of which I usually only get in three). With that said, I think it’s reasonable to say that when I have some down time, I’d rather spend it sleeping or watching the Office for the fifty-leventh time on Netflix.

The concept of treating myself has certainly changed as of late. On December 9th I went from being 33 years old to being the ripe-old age of 95 and I can’t explain it. In the words of the carnival and side-show talkers I so admire, What has nature done?.

Despite the aches and pains that come with being another year older and following a 5/3/1 heavy-lifting routine, I was able to make my way to Nashville to catch one of my favorite bands — The Lees of Memory — play a hometown show at the historic Exit/In. I covered what makes these guys so special in my eyes in my previous post so if you want the back story, go there. Otherwise just know these guys are the real deal and never cease to amaze.

The opening acts included the Vamptones of nearby Murfreesboro and a Christmas jazz set played by Nashville legend Krazy Kyle (organist for the Nashville Predators) with his band The Sanatarium. While the two acts were completely different from the headliner, they set the stage perfectly for the wall of sound that hit the 200+ people in attendance on that rainy Friday evening in Music City.

The same crew from Birmingham was back together with Brandon Fisher on guitars and vocals, John Davis on vocals and a variety of other instruments, Nick Slack on drums, Sam Powers on bass, Dan Benningfield on keys, Jason Moore on guitar and Ethan Luck on guitar. The addition of multi-instrumentalist Josiah Holland — who performed with the guys at SXSW a few years ago — rounded out the Lee’s lineup. The setlist was made primarily of songs from their 2017 double LP The Blinding White of Nothing at All but also included fan favorites from 2014’s Sisyphus Says, 2016’s Unnecessary Evil and a couple of Superdrag covers from their 1998 classic record Head Trip in Every Key that closed the set.

When you get a group of accomplished musicians like this together, magic happens before your very eyes on stage and they definitely brought it. This magic was then paired with the psychedelic effects produced by Silver Cord Cinema’s liquid light show — literally the only way a Lee’s set could be any better. Brandon has since told me that they’ve unofficially decided that they can’t do another headlining show without them and I can see why.

Anyway, here are a few picks from the set as well as a hot picture of my super hot date. Everything was taken with my Canon EOS 77D with a 50mm lens (that was giving me hell with focus that night for some reason). If you want to see more, there’s plenty of them on my Flickr page.

If you want to rock out with any of the above mentioned bands, you can do so below. Show them all some love, they deserve it.

[Photo Post] The Lees of Memory at Secret Stages

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Back in my last Bachelor Chronicles post I talked about all the times I got in trouble for drumming too much and how often I played faux concerts for equally faux audiences. I thought for sure I’d be in a band once I got old enough — and actually learned how to play an instrument.

I got old enough but didn’t learn an instrument properly until I was in college. But even then it didn’t really matter — I was too introverted and self-conscious to ever step on stage with a band. Hell, I was too introverted and self-conscious to approach a group of guys to start a band. Double hell, I was too introverted and self-conscious to play my instrument in front of anyone but my girlfriend and mom.

Being in a band was just never going to happen for me. But I’ve always had an appreciation for the scene and wanted to be involved in it in any way I could. I’d spend the next decade or so doing freebee design work for local artists, most of which were never used (The Beat Officers changed their name after I made several t-shirt designs for them; Woe to the Inhabiters broke up after I made a custom painting and album cover design for them; Pink Carnage took my favorite graphic I ever designed and tossed it aside for someone else’s logo design that was merely a downloaded font colored pink).

Finally, a year or two ago, I got a pretty rewarding gig doing design and layout work for my friend’s band The Lees of Memory. The Lees are made up of John Davis, Brandon Fisher — both formerly of Superdrag, a band I’ve admired for years — and Davis’ Epic Ditch bandmate Nick Slack. The guys released a couple of full lengths — Sisyphus Says (2014; released by SideOneDummy) and Unnecessary Evil (2016; released independently) — and a few 7″ singles including 2015’s Soft Places / Within a Dream II, 2015’s Ain’t No Changing Baby’s Mind / Let’s Turn Our Love Up Loud and 2016’s All powerful You.

It wasn’t until 2017 that I got to help the guys out. I did center label design for their 7″ single Run Away to Here / Tears of Joy, center label and sleeve layout design for the 7″ single When The Roses Bloom/The River and finally, center label and gatefold layout design for the band’s most recent masterpiece, the double LP The Blinding White of Nothing at All.

While their band has three proper members, the nature of their sound requires a much larger band (read: 7-9 guys) to replicate in concert. A combination of this and the fact that the members all live in different towns means concerts are extremely difficult to organize if not impossible altogether. So when the band was invited to play Secret Stages Music Discovery Festival in Birmingham, Alabama, on August 4, you’d be an idiot if you’d think I’d miss it.

And, of course, I took my camera. Small festival though it may have been, it was one of the coolest projects I’ve ever gotten to be a part of.

The band played at midnight to a sexy audience at the Hangar in Birmingham’s Avandale neighborhood. In addition to Brandon, John and Nick, the band was rounded out by Sam Powers (Superdrag alum) on bass, Dan Benningfield on keys, Jason Moore (of Nashville band The Katies) on guitar and musical powerhouse Ethan Luck (of too many noteworthy bands to list) on guitar.

Here are a few photos from the set. Everything was taken with my Canon EOS 77D with a 50mm lens. If you want to see more, as always, they’re on my Flickr page.

Brandon
Brandon
Brandon + John
Ethan
Ethan
Guitars
John
John
Sam
Dummy

Secret Stages was a pretty rad weekend festival. While we were only in town for the afternoon/evening, we were still able to see a lot of great acts including Mobile, Alabama, hip hop act BassHead Jazz, electro-soundscape artist BÊNNÍ (New Orleans, Lousiana), midi sample composer Seth Graham (Dayton, Ohio) and wild-ass sexy rock and roll group Telefones (Nashville, Tennessee).

There are a ton of links above but I’ll go ahead and post them all again below and implore you to follow everything if you’re into music or art in general.